Grindhouse Theater: Perversion for Profit (1965)

"Perversion for Profit" is a 1965 Eastmancolor sexploitation propaganda film narrated by news reporter George Putnam. The film argues that sexually explicit materials corrupt young viewers and readers, leading to acts of violence and "perverted" attitudes regarding sex - including inclination toward homosexuality.

The narrator goes on to warn viewers about magazines containing nudity and homosexual material, saying gay people were "perverted" and "misfits", as well as implying they were child molesters, and that they weakened U.S. "resistance to the Communist masters of deceit."

The film was financed by Charles Keating, who would later be convicted of fraud, racketeering and conspiracy. He served four and a half years in prison before those convictions were overturned in 1996. In 1999, he pleaded guilty to a more limited set of wire fraud and bankruptcy fraud counts, and was sentenced to the time he had already served. Keating spent his final years in low-profile real estate activities until his death in 2014.

grind

A grindhouse is an American term for a theater that mainly shows exploitation films. It is named after the defunct burlesque theaters located on 42nd Street in New York City, where 'bump n' grind' dancing and striptease were featured.

In the film Lady of Burlesque (1943) one of the characters refers to the burlesque theatre on 42nd Street, where they are performing stripteases and bump and grind dances, as a "grindhouse".

The introduction of television greatly eroded the audience for local and single screen movie theatres, many of which were built during the cinema boom of the 1930s. In combination with urban decay after white flight out of older city areas in the mid to late 1960s, changing economics forced these theatres to either close or offer something that TV could not. In the 1970s these theatres were put to new use as venues for exploitation films, either adult pornography and sleaze, or slasher and dubbed martial arts films from Hong Kong.

Grindhouse films characteristically contain large amounts of sex, violence or bizarre subject matter. One genre of film featured were "roughies" or sexploitation, a mix of sex, violence and sadism. Quality varied, but low budget production values and poor print quality were common. Critical opinions varied regarding typical grindhouse fare, but many films acquired cult following and critical praise. Double, triple, and "all night" bills on a single admission charge often encouraged patrons to spend long periods of time in the theaters. The milieu was largely and faithfully captured at the time by the magazine Sleazoid Express.

By the 1980s, home video and cable movie channels threatened to render the grindhouse obsolete. By the end of the decade, these theaters had vanished from Los Angeles's Broadway and Hollywood Boulevard, New York City's Times Square and San Francisco's Market Street. By the mid 1990s, these particular theaters had all but disappeared from the US. Very few exist today.