Grindhouse Theater: Vampyros Lesbos (1971)

Ewa Stroemberg stars as Linda Westinghouse, an American working at a Turkish legal firm. Linda is plagued and thrilled by a series of erotic dreams concerning a mysterious vampire woman who seduces her before feeding on her blood. When she travels to an island to settle Countess Carody's inheritance, Lucy recognizes the beautiful woman as the vampire from her dreams.

Vampyros Lesbos (aka Las Vampiras) is a West German/Spanish film directed by Jess Franco. It was filmed in 1970 in Turkey. It is a surrealistic reworking of Bram Stoker's short story "Dracula's Guest" and has acquired a substantial cult following due to its hallucinatory erotic imagery and a sexy performance by Soledad Miranda as vampiric Countess Nadine Corody. It was a success in theaters in Europe on its release and was the first film to have a more psychedelic score for a Franco film and the first to have a lesbian theme as a prominent feature of the film. The film's score became popular in the mid-1990s when it was included on the compilation Vampyros Lesbos: Sexadelic Dance Party, an album that became a top ten hit on the British Alternative charts.

grind

A grindhouse is an American term for a theater that mainly shows exploitation films. It is named after the defunct burlesque theaters located on 42nd Street in New York City, where 'bump n' grind' dancing and striptease were featured.

In the film Lady of Burlesque (1943) one of the characters refers to the burlesque theatre on 42nd Street, where they are performing stripteases and bump and grind dances, as a "grindhouse".

The introduction of television greatly eroded the audience for local and single screen movie theatres, many of which were built during the cinema boom of the 1930s. In combination with urban decay after white flight out of older city areas in the mid to late 1960s, changing economics forced these theatres to either close or offer something that TV could not. In the 1970s these theatres were put to new use as venues for exploitation films, either adult pornography and sleaze, or slasher and dubbed martial arts films from Hong Kong.

Grindhouse films characteristically contain large amounts of sex, violence or bizarre subject matter. One genre of film featured were "roughies" or sexploitation, a mix of sex, violence and sadism. Quality varied, but low budget production values and poor print quality were common. Critical opinions varied regarding typical grindhouse fare, but many films acquired cult following and critical praise. Double, triple, and "all night" bills on a single admission charge often encouraged patrons to spend long periods of time in the theaters. The milieu was largely and faithfully captured at the time by the magazine Sleazoid Express.

By the 1980s, home video and cable movie channels threatened to render the grindhouse obsolete. By the end of the decade, these theaters had vanished from Los Angeles's Broadway and Hollywood Boulevard, New York City's Times Square and San Francisco's Market Street. By the mid 1990s, these particular theaters had all but disappeared from the US. Very few exist today.